1 00:01:04,200 --> 00:01:06,640 Monsieur, you are Mr. Claude Marchand of Aledé Magazine? 2 00:01:06,940 --> 00:01:10,060 Yes. Would you please check with Pan American? There is a message for you. 3 00:01:10,220 --> 00:01:11,220 Merci. 4 00:01:13,100 --> 00:01:16,140 Mademoiselle, my name is Claude Marchand. I believe there is a message 5 00:01:16,460 --> 00:01:19,660 Oui, Monsieur Marchand. Here it is. It arrived this morning. 6 00:01:19,920 --> 00:01:20,920 Thank you. 7 00:01:21,460 --> 00:01:23,160 My editor always finds me. 8 00:01:25,000 --> 00:01:26,020 Change of plans. 9 00:01:27,460 --> 00:01:28,460 Interview. 10 00:01:28,760 --> 00:01:30,200 Change of plans. Interview. 11 00:01:30,480 --> 00:01:31,480 Photo assignment. 12 00:01:32,280 --> 00:01:33,520 Sculptor Badulescu. 13 00:01:35,660 --> 00:01:39,060 Pinderera. Let's see, that's in Spain, isn't it? Oui, monsieur, on the Costa 14 00:01:39,060 --> 00:01:40,440 Sol, near Malaga. 15 00:01:41,020 --> 00:01:44,540 Good. I was looking forward to the rest after my last assignment. 16 00:01:45,080 --> 00:01:49,260 Je m 'excuse, monsieur, but here are your tickets to the Costa del Sol and 17 00:01:49,260 --> 00:01:53,460 time schedule. Your baggage has been taken care of and there will be an auto 18 00:01:53,460 --> 00:01:54,880 your disposal when you arrive. 19 00:01:55,680 --> 00:01:56,680 Uh -huh. 20 00:01:56,900 --> 00:01:59,200 Now that's what I really call efficient service. 21 00:06:22,060 --> 00:06:23,060 Me llevo la sombrilla. 22 00:06:25,240 --> 00:06:26,240 Oh, it's Nate. 23 00:07:36,500 --> 00:07:37,500 Hola, buenas. 24 00:09:37,450 --> 00:09:38,450 Sign here, please. 25 00:09:41,450 --> 00:09:42,450 Thank you. 26 00:09:44,010 --> 00:09:46,610 Well, the joint is jumping. 27 00:10:21,040 --> 00:10:22,560 Double whiskey with water, please. 28 00:10:25,700 --> 00:10:28,420 Hey, where's all the action? 29 00:10:28,660 --> 00:10:29,660 What? 30 00:10:29,700 --> 00:10:31,840 People. Where does everybody go? 31 00:10:32,700 --> 00:10:34,640 Everybody seems to prefer Shanghai's. 32 00:10:35,220 --> 00:10:36,220 Shanghai's? 33 00:10:36,860 --> 00:10:39,500 Yes, but between you and me, it's a filthy place. 34 00:10:39,740 --> 00:10:41,620 Here you'll find everything neat and clean. 35 00:10:41,880 --> 00:10:42,880 Well, I hope so. 36 00:10:43,080 --> 00:10:45,340 I'd hate to leave this place with any portable pets. 37 00:10:45,940 --> 00:10:48,200 I don't suppose we're staying long. Nobody ever does. 38 00:10:48,680 --> 00:10:51,780 Just long enough to put this place on the map. 39 00:10:52,840 --> 00:10:53,840 Cheers. 40 00:11:38,880 --> 00:11:39,880 Mouth. 41 00:11:49,200 --> 00:11:50,660 What does she think she is? 42 00:11:51,000 --> 00:11:52,280 Exactly. Okay. 43 00:11:55,560 --> 00:12:00,340 I'll see you tomorrow. Don't forget. 44 00:12:07,950 --> 00:12:09,150 Isn't he monstrous? 45 00:12:09,610 --> 00:12:10,850 It takes all kinds. 46 00:12:13,290 --> 00:12:14,670 How's my credit tonight? 47 00:12:15,170 --> 00:12:19,550 Well, even worse than mine. You know what a sucker I am for a starving 48 00:12:19,870 --> 00:12:20,870 I know. 49 00:12:21,430 --> 00:12:22,430 Let's eat outside. 50 00:12:23,190 --> 00:12:24,190 Marvelous idea. 51 00:12:27,270 --> 00:12:28,270 Hey, you. 52 00:12:28,390 --> 00:12:32,990 Hey. You give me something for my poor old dog instead of nosing into other 53 00:12:32,990 --> 00:12:33,990 people's affairs. 54 00:13:17,520 --> 00:13:18,519 Live and breathe. 55 00:13:18,520 --> 00:13:19,740 Don't breathe on me, Pablo. 56 00:13:20,080 --> 00:13:24,140 Oh, same old Claude. Always making fun. How are you, my friend? 57 00:13:24,380 --> 00:13:25,379 How's the boy? 58 00:13:25,380 --> 00:13:26,680 Small world, huh? 59 00:13:27,120 --> 00:13:31,700 Small but crowded. What are you doing here? On the lam or something? 60 00:13:32,180 --> 00:13:34,680 You remember my old uncle? 61 00:13:34,920 --> 00:13:39,460 Yes. The rich? The rich one? Well, he finally died. 62 00:13:39,920 --> 00:13:44,760 He left me a few pesetas. And in this old town, I can live like a king on it. 63 00:13:45,060 --> 00:13:45,939 So I see. 64 00:13:45,940 --> 00:13:46,940 Why, this is... 65 00:13:58,540 --> 00:14:00,200 knows about it. I'll fix that. 66 00:14:00,860 --> 00:14:02,080 Holiday sent me here. 67 00:14:02,360 --> 00:14:04,100 Holiday? The magazine? 68 00:14:04,560 --> 00:14:06,020 Why do you spoil everything? 69 00:14:06,580 --> 00:14:08,040 Right. Come here. 70 00:14:08,620 --> 00:14:09,620 Who is she? 71 00:14:10,640 --> 00:14:12,640 Ah, she's a cheap tramp. 72 00:14:13,280 --> 00:14:16,120 She poses for those artists with nothing on. 73 00:14:16,400 --> 00:14:17,400 That's the kind. 74 00:14:18,520 --> 00:14:21,560 That's the kind I like. Hey, you play darts. 75 00:14:21,900 --> 00:14:22,900 Who is the owner? 76 00:14:24,140 --> 00:14:25,360 That one over there. 77 00:14:29,380 --> 00:14:30,980 You know, baby, you'll have no problem. 78 00:14:31,860 --> 00:14:32,860 Oh, man. 79 00:14:36,880 --> 00:14:37,880 Wait up! 80 00:14:38,300 --> 00:14:39,300 Lemmy. 81 00:14:40,880 --> 00:14:41,880 How is business? 82 00:14:42,820 --> 00:14:45,380 Mine's lousy, but yours seems to be pretty good. 83 00:14:47,780 --> 00:14:49,760 I'm not surprised yours is lousy. 84 00:14:50,620 --> 00:14:51,640 A beer, please. 85 00:14:52,940 --> 00:14:56,780 I bet how those bums haven't got enough to pay for their own dinner. 86 00:14:58,990 --> 00:15:03,770 You know, what this town needs is some fat, rich tourists. 87 00:15:04,270 --> 00:15:06,230 The kind that drive the prices up. 88 00:15:06,570 --> 00:15:09,630 That won't help much unless you own something worth selling. 89 00:15:10,370 --> 00:15:15,930 Well, wouldn't a couple of thousand be enough to option the good beach land 90 00:15:15,930 --> 00:15:16,930 around here? 91 00:15:17,210 --> 00:15:18,510 My thousand or yours? 92 00:15:18,930 --> 00:15:20,050 A thousand each. 93 00:15:20,490 --> 00:15:21,490 All right. 94 00:15:21,750 --> 00:15:23,310 What's the pitch? Leave it to me. 95 00:15:23,630 --> 00:15:27,450 I understand there's a celebrity living here, Franz Badulescu. I'd like to take 96 00:15:27,450 --> 00:15:29,010 some photos of him and his work. 97 00:15:29,630 --> 00:15:32,350 Badulescu sees no one, especially from the press. 98 00:15:34,370 --> 00:15:38,610 And then I'd like to find somebody who knows a little bit about the art racket. 99 00:15:38,650 --> 00:15:41,490 Somebody who could organize a few things for me. 100 00:15:41,750 --> 00:15:42,810 Valerie could handle that. 101 00:15:43,150 --> 00:15:46,890 You know Badulescu's wife, don't you? I don't know what you're talking about, 102 00:15:47,070 --> 00:15:48,290 but I'm not for rent. 103 00:15:48,530 --> 00:15:51,550 A hundred bucks and all the Chinese food you can stand, fair enough. 104 00:15:52,160 --> 00:15:56,160 I'm sure Valerie would rather help us as a favor, wouldn't you? I always find it 105 00:15:56,160 --> 00:15:57,500 easier to pay cash. 106 00:15:58,300 --> 00:15:59,580 Be here tomorrow at ten. 107 00:16:57,480 --> 00:17:01,540 She's mute, poor darling. Can't say a word, but I understand her perfectly 108 00:17:03,120 --> 00:17:04,119 Hello, 109 00:17:09,119 --> 00:17:10,119 Tania. 110 00:17:11,440 --> 00:17:14,099 I'm... I'm terribly sorry. 111 00:17:14,440 --> 00:17:15,440 About what? 112 00:17:15,480 --> 00:17:17,220 We just... Well, I'd better explain. 113 00:17:18,500 --> 00:17:22,960 You see, when my editor in Paris found out I was coming down here for a 114 00:17:23,280 --> 00:17:26,380 you're not going to believe this, but he... But I don't. 115 00:17:26,970 --> 00:17:29,550 But since you are here, you might as well come in anyway. 116 00:17:29,890 --> 00:17:30,890 Well, yes. 117 00:17:31,030 --> 00:17:32,030 Come on. 118 00:17:37,650 --> 00:17:38,650 Follow me. 119 00:17:41,370 --> 00:17:42,370 Why not? 120 00:17:42,390 --> 00:17:43,650 It worked, didn't it? 121 00:17:44,870 --> 00:17:46,070 Beautiful place. 122 00:17:46,470 --> 00:17:47,610 It's enchanting. 123 00:17:48,610 --> 00:17:52,090 I'm sorry, Bernard, but I'm afraid that France will only be able to see one of 124 00:17:52,090 --> 00:17:54,350 you. That's all right. Will you please wait here? 125 00:18:04,430 --> 00:18:06,130 I thought good artists were supposed to starve. 126 00:18:06,770 --> 00:18:08,150 Badulescu isn't all that good. 127 00:18:10,570 --> 00:18:11,890 He's just fashionable. 128 00:18:12,230 --> 00:18:14,850 Or at least he used to be a few years ago. 129 00:18:15,730 --> 00:18:16,890 Yes, I've heard of him. 130 00:18:17,470 --> 00:18:18,550 Everyone's heard of him. 131 00:18:18,790 --> 00:18:19,890 Tania, so to that. 132 00:18:20,270 --> 00:18:24,710 When he married her, she was his model. And little by little, she made friends 133 00:18:24,710 --> 00:18:26,790 with all the people that count in art circles. 134 00:18:27,510 --> 00:18:30,050 She created the great Badulescu. 135 00:18:30,310 --> 00:18:33,730 My boss should have hired her instead of me. What a promoter. 136 00:18:35,660 --> 00:18:36,579 Who's that? 137 00:18:36,580 --> 00:18:37,580 Momo. 138 00:18:39,740 --> 00:18:41,460 And I say that you will see him. 139 00:18:57,360 --> 00:18:58,360 Momo. 140 00:19:00,420 --> 00:19:01,460 He's very shy. 141 00:19:01,820 --> 00:19:03,320 He only goes to Tanya. 142 00:19:05,230 --> 00:19:07,610 No, I'm sorry. Come on, Momo, don't be bashful. Come on. 143 00:19:10,470 --> 00:19:12,130 Actually, he reminds me of a friend of mine. 144 00:19:17,070 --> 00:19:18,690 France is ready to receive you now. 145 00:19:21,090 --> 00:19:25,450 Two more teas, please, and Valerie will take hers in here. Put Momo back in the 146 00:19:25,450 --> 00:19:26,790 cage. Would you please follow me? 147 00:19:36,620 --> 00:19:39,620 Please don't stay too long. France is not too strong. 148 00:19:42,880 --> 00:19:43,880 France, dearest. 149 00:19:44,060 --> 00:19:45,060 Oh. 150 00:19:45,180 --> 00:19:49,980 This is Monsieur Marchand that I just spoke to you about. How do you do, sir? 151 00:19:51,420 --> 00:19:55,400 Forgive me for not rising, but as you see, I'm rather handicapped. 152 00:19:56,740 --> 00:19:57,639 I know. 153 00:19:57,640 --> 00:20:02,240 I remember reading you had a serious auto accident a couple of years ago, 154 00:20:02,240 --> 00:20:06,410 it? Yes, he was, but he's getting much better. But it is all behind me, thanks 155 00:20:06,410 --> 00:20:12,370 to my... dear Tania, whose devoted care... I don't know what I would have 156 00:20:12,370 --> 00:20:13,370 without her. 157 00:20:14,170 --> 00:20:17,930 Monsieur Marchand is here to discuss your work, dearest. Oh, yes, yes, yes. 158 00:20:19,030 --> 00:20:21,170 Please sit down, Monsieur Marchand. Thank you. 159 00:20:21,610 --> 00:20:23,250 I'd like to ask you a few questions. 160 00:20:24,150 --> 00:20:25,810 You don't mind if I smoke, do you? 161 00:20:26,350 --> 00:20:27,350 No, no. 162 00:20:28,550 --> 00:20:29,550 There's a rumor... 163 00:20:30,120 --> 00:20:33,100 A rumor that was printed in the London Art Review. 164 00:20:33,940 --> 00:20:35,380 Oh, let me think. 165 00:20:35,740 --> 00:20:42,680 Way back in 1931, I believe it was, that in a series of animal sculptures 166 00:20:42,680 --> 00:20:49,480 of great realism, you experimented with the use of actual animal 167 00:20:49,480 --> 00:20:51,060 skeletons as armatures. 168 00:20:51,400 --> 00:20:53,020 Would you like some tea, Monsieur Marchand? 169 00:20:53,680 --> 00:20:54,680 No, thank you. 170 00:20:54,920 --> 00:20:58,880 You are well prepared for this interview. I'm indeed flattered. 171 00:20:59,310 --> 00:21:03,950 Perhaps you remember from that same series a group of bronzes called Fruit 172 00:21:04,410 --> 00:21:08,410 The work consisted of a group of small goats in repose. 173 00:21:09,710 --> 00:21:15,070 I've often felt it was the finest thing that I have ever done in form, texture, 174 00:21:15,310 --> 00:21:16,570 line, the organization. 175 00:21:16,950 --> 00:21:21,050 The totality of the work created an air of great... 176 00:21:21,280 --> 00:21:25,180 tranquility. Monsieur Marchand just told you that he did read the article. 177 00:21:25,380 --> 00:21:28,180 Oh, yes. You were saying, sir, about the goat bronzes. 178 00:21:28,420 --> 00:21:29,299 Oh, yes. 179 00:21:29,300 --> 00:21:31,580 Fruit, sir. Well, in that case, 180 00:21:32,340 --> 00:21:36,840 bones for that particular group were purchased from the local abattoir. As to 181 00:21:36,840 --> 00:21:39,820 the others, they were bought from medical laboratories. 182 00:21:41,520 --> 00:21:42,820 Things that he remembers. 183 00:21:44,140 --> 00:21:46,060 I once fathered a griffin. 184 00:21:46,300 --> 00:21:50,260 You know, the mythological beast, half lion, half eagle. 185 00:21:50,760 --> 00:21:55,380 I think that a couple of good photographs of your work would be better 186 00:21:55,380 --> 00:21:56,680 article I could write about you. 187 00:21:57,420 --> 00:21:58,420 Photographs? No, no. 188 00:21:58,620 --> 00:22:00,360 I think not. I think not. 189 00:22:00,580 --> 00:22:02,540 I don't really see any harm in it, Franz. 190 00:22:03,200 --> 00:22:06,140 I'm sure it won't take more than an hour or two. No, no, no. 191 00:22:06,400 --> 00:22:08,380 Actually, I have my equipment right here in the car. 192 00:22:08,620 --> 00:22:09,780 I'm afraid we'll have to wait. 193 00:22:10,060 --> 00:22:12,120 We are quite prepared to be. As you wish. 194 00:22:12,500 --> 00:22:13,520 Shall I call you tomorrow? 195 00:22:14,060 --> 00:22:15,060 Please do. Fine. 196 00:22:15,300 --> 00:22:16,620 It has been an honor, sir. 197 00:22:17,260 --> 00:22:18,440 I'll be with you in a moment. 198 00:22:30,480 --> 00:22:31,480 is marvelous. 199 00:22:31,760 --> 00:22:32,760 I don't know. 200 00:22:33,960 --> 00:22:36,460 I sense something weird between those two. 201 00:22:37,000 --> 00:22:41,340 Oh? I didn't know that sensitivity was one of your strong points. 202 00:22:41,560 --> 00:22:43,140 That's right, my sweet. Don't touch that. 203 00:22:43,460 --> 00:22:44,460 Sorry. 204 00:22:45,900 --> 00:22:47,060 It's extremely fragile. 205 00:22:48,520 --> 00:22:50,960 Aren't these hands copied from that drawing? 206 00:22:51,580 --> 00:22:56,140 Not copied. We call it transposing from one medium to another. Francis added a 207 00:22:56,140 --> 00:22:58,720 third dimension to paintings of great masters. I see. 208 00:22:58,920 --> 00:23:01,220 For instance, This is an early Delacroix. 209 00:23:03,200 --> 00:23:04,200 Very early. 210 00:23:04,380 --> 00:23:07,980 Is this what he's working on now? France, it's not like they expose his 211 00:23:07,980 --> 00:23:09,120 before it is completed. 212 00:23:09,440 --> 00:23:11,260 Will you be in touch, Monsieur Marchand? Tomorrow. 213 00:23:12,140 --> 00:23:13,160 If we are ready. 214 00:23:13,860 --> 00:23:14,860 We'll see you tonight? 215 00:23:15,080 --> 00:23:16,080 Yes. 216 00:23:16,440 --> 00:23:17,440 Good night, darling. 217 00:23:42,640 --> 00:23:46,820 Majo has disappeared. He has left his umbrellas on the beach. Majo has not 218 00:23:46,820 --> 00:23:47,820 disappeared. 219 00:23:48,860 --> 00:23:50,220 Majo is dead. 220 00:23:51,460 --> 00:23:52,520 Majo dead. 221 00:23:53,600 --> 00:23:59,180 And I, the queen of the gypsies, say that Majo is dead. 222 00:25:07,199 --> 00:25:11,940 I must say I question the wisdom of receiving this man, Tanya. 223 00:25:12,840 --> 00:25:14,640 You question my wisdom? 224 00:25:16,860 --> 00:25:18,860 Where would you be if it weren't for me? 225 00:25:20,180 --> 00:25:27,040 I who created and molded the image of Bodilesco and his devoted and adoring 226 00:25:27,040 --> 00:25:28,040 wife. 227 00:25:30,080 --> 00:25:31,080 Devoted. 228 00:25:31,820 --> 00:25:34,600 Till death do us part, I suppose. 229 00:25:39,880 --> 00:25:40,400 I 230 00:25:40,400 --> 00:25:48,940 thought 231 00:25:48,940 --> 00:25:50,480 that kind of thing went out of style. 232 00:25:52,820 --> 00:25:54,040 What kind of thing? 233 00:25:54,500 --> 00:25:56,500 Painting people the way they actually look. 234 00:25:57,580 --> 00:25:59,460 I only do it for practice, okay? 235 00:25:59,740 --> 00:26:05,160 Unless one has mastered the concrete, it's pointless to attempt the abstract. 236 00:26:06,100 --> 00:26:08,020 You painters talk too much. 237 00:26:09,480 --> 00:26:13,660 For three hours I've been trying to find something interesting enough to attract 238 00:26:13,660 --> 00:26:16,700 people to that artist's colony. 239 00:26:17,740 --> 00:26:21,340 And all you characters do is settle and get drunk. 240 00:26:23,520 --> 00:26:24,540 And work. 241 00:26:25,800 --> 00:26:27,160 Why don't you give a party? 242 00:26:27,760 --> 00:26:29,620 Everybody's very interesting at a party. 243 00:26:29,820 --> 00:26:31,920 That's the most intelligent thing you've said. 244 00:26:32,720 --> 00:26:34,200 It's the only thing I said. 245 00:26:34,440 --> 00:26:35,520 Sit still, little girl. 246 00:26:36,240 --> 00:26:38,060 We'll give a costume party, that's what. 247 00:26:38,940 --> 00:26:41,980 But why would anybody bother to make up a costume? 248 00:26:42,900 --> 00:26:44,200 Why do canaries sing? 249 00:26:45,060 --> 00:26:46,200 Because we feed them. 250 00:26:46,820 --> 00:26:47,900 I'll come for nothing. 251 00:26:48,340 --> 00:26:51,120 He'll probably want you to come in that costume. 252 00:26:51,660 --> 00:26:52,840 How about this for a theme? 253 00:26:53,640 --> 00:26:59,560 Foreign artists pay tribute to their Spanish master, Goya, in their annual 254 00:26:59,560 --> 00:27:02,400 spring frolly. I think it sounds just terrible. 255 00:27:02,760 --> 00:27:03,760 Right. 256 00:27:05,080 --> 00:27:06,420 I have a better idea. 257 00:27:06,780 --> 00:27:09,120 We'll call it our weekend bacchanal. 258 00:27:09,340 --> 00:27:11,560 Hmm? Make it seem like an orgy. 259 00:27:12,160 --> 00:27:14,060 That sounds even worse. 260 00:27:32,460 --> 00:27:33,960 Can you get everything ready for tomorrow? 261 00:27:35,020 --> 00:27:36,240 Tomorrow? Impossible. 262 00:27:37,180 --> 00:27:40,520 Tomorrow's too soon. All right, we'll make it the end of the week. Oh, wait a 263 00:27:40,520 --> 00:27:41,520 moment. 264 00:27:42,660 --> 00:27:43,720 Hey, I just remembered. 265 00:27:43,920 --> 00:27:45,720 I know somebody who used to be an actor. 266 00:27:46,360 --> 00:27:47,299 That's it. 267 00:27:47,300 --> 00:27:50,600 He has trunks full of old costumes and things like that. Fine. 268 00:27:50,920 --> 00:27:54,440 You'll be in charge of the costumes, Elga. I'll fix everything up with 269 00:27:54,780 --> 00:27:57,920 In the meantime, we'll be working on our photo layout. 270 00:29:05,610 --> 00:29:06,610 Was it? 271 00:29:08,630 --> 00:29:09,630 Oh! 272 00:29:12,790 --> 00:29:13,790 Okay, 273 00:29:14,830 --> 00:29:16,250 fine. Now come here. 274 00:29:19,550 --> 00:29:20,550 No, 275 00:29:21,790 --> 00:29:22,790 not like that. 276 00:29:25,130 --> 00:29:25,850 Darling, you 277 00:29:25,850 --> 00:29:33,190 didn't... 278 00:29:35,070 --> 00:29:36,710 someone else for this kind of thing. Oh? 279 00:29:37,070 --> 00:29:38,770 Yes, and I know just the girl. 280 00:29:40,230 --> 00:29:41,230 Sonia's made. 281 00:29:41,610 --> 00:29:42,750 Pilar would be perfect. 282 00:29:43,230 --> 00:29:45,010 At least she can talk back. 283 00:35:42,540 --> 00:35:43,560 God, what a night I had. 284 00:35:44,640 --> 00:35:45,960 I had a few too many. 285 00:35:50,360 --> 00:35:51,660 How were you last night? 286 00:35:53,000 --> 00:35:54,400 I was expecting you. 287 00:35:57,040 --> 00:36:02,740 Cloth and I drove up to Calvario to get some night shots and... Got kind of 288 00:36:02,740 --> 00:36:03,740 late. 289 00:36:04,040 --> 00:36:04,899 You know. 290 00:36:04,900 --> 00:36:06,680 Yes. Yes, I do know. 291 00:36:09,360 --> 00:36:12,860 How do you like working for Monsieur Marchand? I mean Claude, of course. 292 00:36:13,680 --> 00:36:14,680 Not too bad. 293 00:36:17,100 --> 00:36:18,100 Is Pilar around? 294 00:36:19,500 --> 00:36:20,720 In the kitchen, I suppose. 295 00:36:20,920 --> 00:36:21,920 Where else would she be? 296 00:36:23,080 --> 00:36:24,700 Come on, get me that drink, darling. 297 00:36:26,240 --> 00:36:27,740 You'll be late for work, you know. 298 00:36:44,230 --> 00:36:45,230 Would you come down? 299 00:36:46,270 --> 00:36:47,270 Here. 300 00:36:47,990 --> 00:36:48,990 Like this. 301 00:36:49,470 --> 00:36:51,470 This way. Would you please relax? 302 00:36:52,310 --> 00:36:54,490 Darling, tell her all I'm trying to do is to take a picture. 303 00:36:54,890 --> 00:36:55,890 Tell her yourself. 304 00:37:00,070 --> 00:37:02,350 Okay, let's try again. A little bit left. 305 00:37:02,750 --> 00:37:03,750 Closer to the cactus. 306 00:37:06,290 --> 00:37:08,230 Aren't you overdoing the local color bit? 307 00:37:08,770 --> 00:37:09,770 Not at all. 308 00:37:18,380 --> 00:37:19,380 Are you nobody too? 309 00:37:20,640 --> 00:37:22,060 That makes a pair of us. 310 00:37:23,080 --> 00:37:25,320 Two gentlemen on the beach. 311 00:38:39,850 --> 00:38:43,670 It sounds commercial, at least. And since most of them owe me money, they 312 00:38:43,670 --> 00:38:45,850 to come in whatever costume I tell them. 313 00:38:46,570 --> 00:38:47,570 That's what I figured. 314 00:38:48,610 --> 00:38:51,510 Tell me, how is our land speculation coming along? 315 00:38:51,750 --> 00:38:55,790 By tomorrow, we'll control every square foot of property worth having. 316 00:38:56,690 --> 00:38:58,070 We'll be rich in no time. 317 00:38:59,010 --> 00:39:00,010 Pase, Domingo. 318 00:39:02,530 --> 00:39:04,310 I was wondering when you'd show up. 319 00:39:09,330 --> 00:39:10,330 Maho dead. 320 00:39:11,010 --> 00:39:12,090 What happened to him? 321 00:39:12,870 --> 00:39:13,870 When? 322 00:39:16,110 --> 00:39:23,090 Who is Maho? A little hunchback gypsy who rented umbrellas on the 323 00:39:23,090 --> 00:39:24,090 beach. 324 00:39:24,270 --> 00:39:27,570 But how did he die, Domingo? He looked all right yesterday. 325 00:39:30,070 --> 00:39:31,970 Did you bury him already? 326 00:40:39,440 --> 00:40:41,720 La reina dice que el diablo se llevó a Maho. 327 00:40:42,240 --> 00:40:44,820 Los gitanos sabemos cuando viene el diablo. 328 00:40:46,540 --> 00:40:50,680 It would be a funny thing if the gulf turns up tomorrow with a hangover. 329 00:40:51,140 --> 00:40:55,620 It doesn't seem too likely. These people have an uncanny instinct about death. 330 00:40:57,240 --> 00:40:59,000 Maybe somebody murdered him. 331 00:40:59,300 --> 00:41:00,300 Murdered Maho? 332 00:41:00,500 --> 00:41:04,480 He was only a poor beach boy without a penny or an enemy in this world. 333 00:41:05,120 --> 00:41:08,500 Dead or alive, he was of no use to anyone. 334 00:41:09,450 --> 00:41:12,190 In any case, who would even miss him? 335 00:41:13,370 --> 00:41:14,370 His mother. 336 00:41:43,240 --> 00:41:44,840 Is it dawn yet? Not yet. 337 00:41:46,140 --> 00:41:47,140 I'm tired. 338 00:41:47,600 --> 00:41:49,140 We have a deadline, darling. 339 00:41:49,860 --> 00:41:51,640 I'm working well, am I not? 340 00:41:52,060 --> 00:41:54,020 You're working better than before the accident. 341 00:41:54,840 --> 00:41:58,820 Accident? There was no accident. You tried to kill me. Oh, Franz, please. 342 00:41:59,160 --> 00:42:00,740 You tried to kill me. 343 00:42:01,340 --> 00:42:06,700 All you succeeded in doing is crippling my leg and blinding me. Don't think I 344 00:42:06,700 --> 00:42:08,780 don't know it. You believe whatever you want to believe. 345 00:42:09,120 --> 00:42:10,280 You blinded me. 346 00:42:10,720 --> 00:42:11,720 And then... 347 00:42:12,110 --> 00:42:14,550 Only then I became famous. 348 00:42:14,850 --> 00:42:21,630 And now, now I suppose, like Beethoven, I'm doomed never to perceive the 349 00:42:21,630 --> 00:42:23,410 beauty of my own creations. 350 00:42:24,710 --> 00:42:26,350 I'm afraid that's the truth. 351 00:42:26,670 --> 00:42:27,670 Ah. 352 00:42:28,770 --> 00:42:31,170 But you have to take care of me. 353 00:42:31,850 --> 00:42:33,670 I am not your prisoner. 354 00:42:34,630 --> 00:42:36,190 You are mine. 355 00:42:36,410 --> 00:42:37,570 Did you examine the animal? 356 00:42:39,290 --> 00:42:41,230 The one that was struck by a cow? 357 00:42:41,710 --> 00:42:43,330 Ah, yes, poor beast. 358 00:42:43,790 --> 00:42:49,030 The shape is all right, but two or three centimeters bigger than the original. 359 00:42:49,910 --> 00:42:52,610 Well, we don't have any time to find another. 360 00:42:53,370 --> 00:42:55,190 Time we do not have, let's face it. 361 00:42:55,490 --> 00:43:00,070 We are a month overdue. If we do not deliver the work within a week's time, 362 00:43:00,070 --> 00:43:01,070 commission is cancelled. 363 00:43:01,310 --> 00:43:02,630 I know, I know. 364 00:46:16,820 --> 00:46:17,860 Bravo, bravo. 365 00:46:18,380 --> 00:46:21,640 Ah, at last it is finished, Tanya. 366 00:46:22,320 --> 00:46:23,640 I've left nothing out. 367 00:46:26,360 --> 00:46:31,340 No, it's perfect. It's absolutely perfect. 368 00:46:38,920 --> 00:46:41,780 Compared to that, the dog will be a child's play. 369 00:46:42,660 --> 00:46:45,520 The two women will take much more time at work. 370 00:46:45,930 --> 00:46:52,370 Our undertaker friend informs us that it will not be difficult to obtain the 371 00:46:52,370 --> 00:46:53,370 final subjects. 372 00:46:53,850 --> 00:46:57,850 There seems to be a sort of epidemic in a town nearby. 373 00:47:00,050 --> 00:47:04,490 Remind him to be prudent, Tanya. They don't care for grave robbers in this 374 00:47:04,490 --> 00:47:05,490 of the world. 375 00:47:07,150 --> 00:47:08,150 Don't worry, darling. 376 00:47:09,990 --> 00:47:13,010 Which figure would you like to begin with? 377 00:47:13,800 --> 00:47:17,900 The seated figure is the more difficult of the two. I'll save her till last. 378 00:47:18,140 --> 00:47:20,320 Oh, good, good. I'm having a little trouble with her. 379 00:47:20,540 --> 00:47:21,540 What? 380 00:47:21,800 --> 00:47:23,120 Nothing, nothing, darling. 381 00:47:23,480 --> 00:47:28,900 Well, I'll start on the kneeling figure, but the subject must conform exactly. 382 00:47:29,420 --> 00:47:31,780 Yes, preparation's already begun. 383 00:48:59,880 --> 00:49:00,880 I didn't see you. 384 00:49:02,320 --> 00:49:04,000 You're looking very lovely today. 385 00:49:04,300 --> 00:49:06,280 Why don't you put on a bathing suit and join me? 386 00:49:06,880 --> 00:49:09,520 You have enough company with all those young men. 387 00:49:10,780 --> 00:49:13,600 Sometimes I get bored with young men, don't you? 388 00:49:14,740 --> 00:49:16,560 Well, we all do sooner or later. 389 00:49:17,940 --> 00:49:20,640 But then what else is there to do to pass the time? 390 00:49:21,800 --> 00:49:26,580 Well, you have your music and your work and a marvelous house. 391 00:49:26,980 --> 00:49:28,680 Valerie told me all about it. 392 00:49:29,130 --> 00:49:32,310 Why don't you come by yourself one night? Oh, I'd love to. 393 00:49:33,610 --> 00:49:35,690 Now, there's a man at 940. 394 00:49:36,070 --> 00:49:39,130 Ah, Monsieur Marchand. 395 00:49:41,010 --> 00:49:46,030 Would you please tell that gentleman, that is, when you see him later, that he 396 00:49:46,030 --> 00:49:49,050 may come to my house tomorrow and take his photographs. 397 00:49:54,950 --> 00:49:56,850 One more shot of Patrouille's house. 398 00:49:57,370 --> 00:50:00,690 Then we'll head for home. Yeah. Just let me know when we've arrived. 399 00:52:19,980 --> 00:52:20,919 The window's open. 400 00:52:20,920 --> 00:52:24,060 Why don't you sleep here tonight if the sea gets too rough? I can't. 401 00:52:24,660 --> 00:52:25,740 Oh, I nearly forgot. 402 00:52:26,000 --> 00:52:28,220 Tanya said you could come and take your pictures tomorrow. 403 00:52:28,560 --> 00:52:30,060 Bye. Thank you. Bye. 404 00:52:31,800 --> 00:52:32,920 Where does she live? 405 00:52:33,400 --> 00:52:37,460 In a little house on the beach. And all alone, too. You know, she's afraid of 406 00:52:37,460 --> 00:52:38,460 nothing. 407 00:52:46,300 --> 00:52:48,840 I wonder why there was so much smoke. 408 00:52:49,290 --> 00:52:51,030 Coming out of Badulescu's chimney. 409 00:52:51,970 --> 00:52:53,330 Maybe he's cold -blooded. 410 00:52:54,050 --> 00:52:55,790 Probably baking one of his statues. 411 00:52:57,030 --> 00:53:00,170 No. It takes a special kiln for that. Yeah? 412 00:53:00,390 --> 00:53:01,870 And you don't bake them. 413 00:53:02,290 --> 00:53:04,410 You make a mold and cast them. 414 00:53:05,050 --> 00:53:06,230 Explain to me everything. 415 00:53:06,650 --> 00:53:08,750 After all, I'm supposed to be an art critic. 416 00:53:09,270 --> 00:53:10,270 All right. 417 00:53:11,030 --> 00:53:12,750 You take an armature like this. 418 00:53:13,010 --> 00:53:14,010 An amateur? 419 00:53:14,690 --> 00:53:16,710 Armature. Armature. You have an accent. 420 00:53:17,190 --> 00:53:23,550 Then... cover it with plaster or clay then from there you make a mold and 421 00:53:23,550 --> 00:53:29,490 pour liquid bronze into it like a cookie cutter more like children's lead 422 00:53:29,490 --> 00:53:34,830 soldiers and then you destroy the mold and the original so that nobody can make 423 00:53:34,830 --> 00:53:40,730 any copies right trust you to grasp the business angle of it sometimes you 424 00:53:40,730 --> 00:53:47,280 misjudge me as far as beach property around here goes i'm the one piece You 425 00:53:47,280 --> 00:53:48,800 haven't got an option, then. 426 00:53:50,440 --> 00:53:54,200 But if you behave, I'll make dinner for you. I give you my word of honor. 427 00:53:55,180 --> 00:53:57,440 But everybody knows my word is not much good. 428 00:57:24,170 --> 00:57:25,170 What's happened? 429 00:57:26,230 --> 00:57:27,230 You're shivering. 430 00:57:28,410 --> 00:57:31,770 A man after me. He was chasing me out there. 431 00:57:39,790 --> 00:57:40,790 No. 432 00:57:41,450 --> 00:57:42,730 There's nobody there now. 433 00:57:46,510 --> 00:57:49,550 I'm here to ask you to come and have dinner with me at my house tonight. 434 00:57:49,950 --> 00:57:52,210 Are you sure it's all right with you, Tanya? 435 00:57:52,670 --> 00:57:53,670 I mean... 436 00:57:55,850 --> 00:57:56,850 Of course. 437 00:57:58,170 --> 00:58:00,330 I would love for you to come to my house. 438 00:58:00,550 --> 00:58:02,430 Come on. 439 00:58:03,130 --> 00:58:04,170 We'll do you good. 440 00:58:08,030 --> 00:58:09,030 You're wonderful. 441 00:58:13,790 --> 00:58:14,930 My car is outside. 442 01:00:19,560 --> 01:00:20,860 Play something again, Tanya. 443 01:00:22,280 --> 01:00:23,280 In a little while. 444 01:00:23,600 --> 01:00:25,520 I have to look after Franz first. 445 01:00:34,380 --> 01:00:36,520 You might have to spend the night here, you know. 446 01:00:36,800 --> 01:00:37,800 Oh! 447 01:00:38,760 --> 01:00:40,820 You don't seem to be displeased with the idea. 448 01:00:41,860 --> 01:00:42,860 One or two? 449 01:00:43,260 --> 01:00:44,260 Two. 450 01:00:46,160 --> 01:00:49,540 Tanya? We won't be disturbing your husband, will we? 451 01:00:51,440 --> 01:00:53,480 My husband doesn't even know that you are here. 452 01:00:54,060 --> 01:00:57,460 And... I am delighted. 453 01:01:10,560 --> 01:01:12,880 I will even lend you one of my nightgowns. 454 01:01:19,660 --> 01:01:20,660 You like that? 455 01:01:29,620 --> 01:01:30,620 Tanya? 456 01:02:24,520 --> 01:02:25,520 Thank you. 457 01:02:56,110 --> 01:03:01,010 No, no, no, Tanya. I don't want a rejection tonight. No. 458 01:03:01,290 --> 01:03:04,670 The stone will keep you awake, otherwise. No, I don't want to. You will 459 01:03:04,670 --> 01:03:05,730 exactly as I tell you. 460 01:03:06,250 --> 01:03:10,750 Oh, I'm an important artist, and you treat me as though I were a child. 461 01:03:11,370 --> 01:03:15,890 That reporter from the magazine came to write about me, not about you. Oh. 462 01:03:17,330 --> 01:03:20,290 I wish we could go away from here. 463 01:03:21,350 --> 01:03:23,670 Anywhere just away from here. 464 01:03:24,800 --> 01:03:25,860 There's no money. 465 01:03:26,180 --> 01:03:27,600 Never have any money. 466 01:03:27,800 --> 01:03:31,720 We're going to have a lot of money. Mr. Armstrong is paying a lot of money for 467 01:03:31,720 --> 01:03:32,720 this commission. 468 01:03:33,340 --> 01:03:39,960 And we can go away wherever you want to on a long, long trip. Oh, you always 469 01:03:39,960 --> 01:03:41,720 say that, but you never mean it. 470 01:03:42,480 --> 01:03:44,940 You have all the money hidden away somewhere. 471 01:03:45,720 --> 01:03:48,500 You'll never spend a penny of it except upon yourself. 472 01:03:49,640 --> 01:03:52,720 The same with my work, my sculpture, my children. 473 01:03:53,370 --> 01:03:57,710 That the world is waiting to look at, pay for. 474 01:03:58,850 --> 01:04:01,730 All hidden away, your secret hoard. 475 01:04:07,110 --> 01:04:09,450 Would you like me to get you something? Are you hungry? 476 01:04:09,670 --> 01:04:12,130 No, you'll try to poison me. 477 01:04:13,550 --> 01:04:14,610 Really, Franz? 478 01:04:16,410 --> 01:04:17,410 That's a fool. 479 01:04:17,750 --> 01:04:19,570 Then why do you stay with me? 480 01:04:21,110 --> 01:04:22,110 Well... 481 01:04:22,730 --> 01:04:25,150 We are chained together, aren't we, France? 482 01:04:26,130 --> 01:04:29,330 Who is your guest, Tanya? 483 01:04:29,630 --> 01:04:31,470 Guest? Don't have a guest. 484 01:04:32,830 --> 01:04:34,450 I'm working in the laboratory. 485 01:04:35,150 --> 01:04:38,590 Oh, I wish all this present work were finished. 486 01:04:39,090 --> 01:04:40,090 Finished. 487 01:04:41,450 --> 01:04:44,190 We could have people around us again. 488 01:04:47,490 --> 01:04:51,910 Good night. 489 01:05:33,290 --> 01:05:34,290 Tanya? 490 01:09:09,819 --> 01:09:11,140 Ready? That will do. 491 01:09:13,500 --> 01:09:14,500 Much? 492 01:09:15,000 --> 01:09:16,000 Happy? 493 01:09:16,220 --> 01:09:17,220 Yes. 494 01:09:18,979 --> 01:09:23,260 But... Could I have one without the glasses, sir? 495 01:09:23,760 --> 01:09:28,500 No, I'm afraid that Franz is growing tired. And besides, you have already 496 01:09:28,500 --> 01:09:30,439 of pictures for dozens of articles. 497 01:09:30,760 --> 01:09:31,760 Well, you're the doctor. 498 01:09:31,920 --> 01:09:35,319 But I'm sorry to say that it will not mean much. 499 01:09:35,850 --> 01:09:39,890 if I don't have at least a few shots of the work you are doing now, sir. 500 01:09:40,109 --> 01:09:46,210 You must realize the work in which I'm engaged is a commission group and cannot 501 01:09:46,210 --> 01:09:50,649 be seen by anyone until it is delivered to the owner. Well, it's much better 502 01:09:50,649 --> 01:09:52,729 than working on speculation, isn't it? Excuse me. 503 01:10:36,909 --> 01:10:38,730 This is Helga, isn't it? 504 01:10:46,510 --> 01:10:49,750 I'm terribly sorry, but I really got upset. 505 01:10:50,090 --> 01:10:51,290 Well, it's understandable. 506 01:10:52,910 --> 01:10:53,910 Excuse me, Tetris. 507 01:11:00,950 --> 01:11:02,330 I'll give it back to her. 508 01:11:09,370 --> 01:11:14,350 Oh, by the way, I'm giving a costume party at Shanghai's tonight. You must 509 01:11:14,890 --> 01:11:15,930 And break something of mine. 510 01:11:17,650 --> 01:11:18,710 Don't tempt me. 511 01:11:19,590 --> 01:11:20,770 I would love to come. 512 01:11:21,790 --> 01:11:23,930 And don't be concerned with the mishap. 513 01:11:24,410 --> 01:11:26,190 It's of no importance. 514 01:11:26,490 --> 01:11:27,970 Bye. Bye. 515 01:11:29,930 --> 01:11:31,070 Take care, Valerie. 516 01:11:44,080 --> 01:11:45,120 That was no armature. 517 01:12:36,380 --> 01:12:40,000 Commercial? Where's your drink, Marshal? Oh, I never drink when I win. What? 518 01:12:40,200 --> 01:12:41,320 What are you talking about? 519 01:12:41,780 --> 01:12:43,600 Soon we're going to own the town, aren't we? 520 01:12:44,160 --> 01:12:45,160 Oh, tell me. 521 01:12:46,220 --> 01:12:48,760 You've been here for some time, haven't you? 522 01:12:49,000 --> 01:12:51,060 Yes, about as long as anybody else. 523 01:12:51,320 --> 01:12:55,300 Well, then you must have been at Badulescu at one time or another. 524 01:12:55,940 --> 01:12:58,040 Sure, I used to eat here once in a while. 525 01:12:58,500 --> 01:13:01,600 Not since all of these people have started to drift in. 526 01:13:01,920 --> 01:13:04,380 Well, today I was at his place. 527 01:13:05,050 --> 01:13:06,370 And I broke one of his statues. 528 01:13:07,170 --> 01:13:08,790 And since then, I've been wandering. 529 01:13:10,450 --> 01:13:12,630 Can I get you something to drink, madam? Good evening. 530 01:13:14,710 --> 01:13:15,750 Is this whip for me? 531 01:13:16,950 --> 01:13:17,950 Only if you insist. 532 01:13:19,270 --> 01:13:21,670 If you promise me not to leave, I'll invite you to dance. 533 01:13:22,630 --> 01:13:24,810 I never leave with a man who knows how to leave. 534 01:13:38,470 --> 01:13:39,470 You look fabulous. 535 01:13:42,170 --> 01:13:45,770 Claude, I don't understand what's become of Elga. She's not here. 536 01:13:46,090 --> 01:13:47,090 How can you tell? 537 01:13:48,170 --> 01:13:49,650 I know she's not here. 538 01:13:53,770 --> 01:13:54,770 Joe, 539 01:13:55,970 --> 01:13:58,550 can I have a little more of that ice? 540 01:14:05,290 --> 01:14:06,830 We know where Elga is. 541 01:14:07,450 --> 01:14:08,450 Don't we? 542 01:14:08,650 --> 01:14:09,650 Don't we? 543 01:14:11,210 --> 01:14:12,770 I don't know what you're talking about. 544 01:14:13,070 --> 01:14:14,070 Ah, no. 545 01:14:15,370 --> 01:14:17,070 You thought nobody saw you. 546 01:14:18,290 --> 01:14:20,630 Elga was with you, wasn't she, last night? 547 01:14:21,790 --> 01:14:23,350 But I saw you. 548 01:14:25,410 --> 01:14:28,090 I know what the three of you do out there. 549 01:14:42,280 --> 01:14:43,980 What time did she leave your house last night? 550 01:14:44,280 --> 01:14:45,500 Why are you so interested? 551 01:14:47,380 --> 01:14:48,860 I'm worried about her. 552 01:14:49,720 --> 01:14:51,300 I haven't seen her all day. 553 01:14:53,420 --> 01:14:58,100 Maybe she was caught in the storm coming back from your house last night. 554 01:15:02,040 --> 01:15:04,500 I think she can take care of herself. 555 01:16:09,300 --> 01:16:10,300 You want a drink? 556 01:16:10,480 --> 01:16:11,480 No, thank you, Joe. 557 01:16:11,660 --> 01:16:12,660 I'm all right. 558 01:16:12,680 --> 01:16:13,680 Okay, bye. 559 01:16:14,820 --> 01:16:15,900 Lani, give me a light. 560 01:17:20,970 --> 01:17:21,970 Cast out again, huh? 561 01:17:22,390 --> 01:17:24,850 Come on. Come on. 562 01:17:26,130 --> 01:17:27,130 That's a boy. 563 01:20:00,080 --> 01:20:01,080 Is that you, Shanghai? 564 01:21:11,020 --> 01:21:12,020 Hurry up. 565 01:21:12,760 --> 01:21:13,760 Hurry up. 566 01:21:14,660 --> 01:21:17,000 Okay, I think she'll be all right there. Come on. 567 01:21:22,540 --> 01:21:23,540 I don't like this. 568 01:21:25,600 --> 01:21:29,140 Besides, it's becoming too dangerous for us. She's getting involved with that 569 01:21:29,140 --> 01:21:31,560 Marchand, and he's asking too many questions. 570 01:21:32,980 --> 01:21:36,440 Yes, I know, but we have no choice. Besides, she happens to fit our needs. 571 01:21:37,560 --> 01:21:40,740 Don't be sentimental, darling. Just think of the fortune we're going to 572 01:21:40,740 --> 01:21:41,740 I'm getting tired. 573 01:21:42,080 --> 01:21:43,440 You think about it. 574 01:21:43,660 --> 01:21:45,480 I need some money now, you know. 575 01:21:45,760 --> 01:21:47,460 I have to pay this car off. 576 01:21:48,180 --> 01:21:49,540 I'm all prepared for that. 577 01:21:51,560 --> 01:21:52,560 Me, darling. 578 01:21:52,980 --> 01:21:53,980 Me. 579 01:23:42,060 --> 01:23:43,060 Ya Maji, Senor. 580 01:25:33,900 --> 01:25:35,740 Angel con el pelo rubio. 581 01:25:36,380 --> 01:25:40,600 Majo. The drunk. The girl with pale hair. 582 01:25:44,120 --> 01:25:45,120 Belga. 583 01:25:46,800 --> 01:25:48,900 Who's going to be the next victim? 584 01:25:52,780 --> 01:25:56,140 Alguien que está muy cerca de él. Someone very close to you. 585 01:25:56,960 --> 01:25:57,980 ¿Y cuándo será? 586 01:26:07,620 --> 01:26:11,460 And exactly three o 'clock. 587 01:27:54,120 --> 01:27:55,120 They should do it. 588 01:28:00,420 --> 01:28:01,420 What's the matter? 589 01:28:02,760 --> 01:28:07,040 Don't you think we've killed enough people for your husband's statues? 590 01:28:07,740 --> 01:28:10,660 Oh, it's just another elegant. 591 01:28:11,680 --> 01:28:15,520 I'm sure you're enjoying it. 592 01:28:15,820 --> 01:28:16,820 Are you, darling? 593 01:29:19,330 --> 01:29:20,330 Valerie! Go back. 594 01:29:27,030 --> 01:29:30,510 What do you want of me? I don't know. I'll kill you. 595 01:29:30,790 --> 01:29:33,070 Murdered? Yes, I could eat the others. 596 01:32:20,490 --> 01:32:22,310 What are you doing here? Get back to your room. 597 01:32:22,750 --> 01:32:24,170 You've been lying to me. 598 01:32:25,090 --> 01:32:26,290 Marshal's told me everything. 599 01:32:27,070 --> 01:32:29,010 Not grave robbing, but murder. 600 01:32:30,750 --> 01:32:34,630 So what are you going to do about it? Do about it? I'm going to kill you. 601 01:32:35,730 --> 01:32:36,890 Just try, darling. 602 01:32:37,210 --> 01:32:38,890 But just remember that you are blind. 603 01:32:40,530 --> 01:32:42,250 I can see. 604 01:32:45,270 --> 01:32:47,310 Better in the dark than in the light. 605 01:36:16,170 --> 01:36:17,170 Thank you.